Few days ago one of my contacts in Facebook posted Gavin Aung Than's cartoon To Love at All.
It's indeed very well made, and at first I found it very romantic. There's a breeze of idealism and optimism in that cartoon - how people could be, when confronted with situations related to love in life. It could be perfect if life would be like that. Unfortunately life, everyday, tells otherwise. Men keep using their reptilian brains while, women keep living in a disneyfied world of princes, dragons, unicorns and fairies.
I decided to add some parts on that cartoon, and it's possible that Gavin will hate it very much. I felt compelled to add some cynicism to it as the reality is: the crude reality.
This is not one original cartoon but one transformation build over the original work To Love at All by Gavin Aung Than (2013). Please check the original work here: http://zenpencils.com/comic/103-c-s-lewis-to-love-at-all/ The last four parts don’t belong to the original cartoon. The colors have been modified and the original text had been removed.
Budapest, March of 2014 - Leandro Bento
It's indeed very well made, and at first I found it very romantic. There's a breeze of idealism and optimism in that cartoon - how people could be, when confronted with situations related to love in life. It could be perfect if life would be like that. Unfortunately life, everyday, tells otherwise. Men keep using their reptilian brains while, women keep living in a disneyfied world of princes, dragons, unicorns and fairies.
I decided to add some parts on that cartoon, and it's possible that Gavin will hate it very much. I felt compelled to add some cynicism to it as the reality is: the crude reality.
This is not one original cartoon but one transformation build over the original work To Love at All by Gavin Aung Than (2013). Please check the original work here: http://zenpencils.com/comic/103-c-s-lewis-to-love-at-all/ The last four parts don’t belong to the original cartoon. The colors have been modified and the original text had been removed.
Budapest, March of 2014 - Leandro Bento
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